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Well, it’s that time again: we get to check out another incredible, studio-quality compressor in a pedal from our friends over at FEA Labs. We’ve been privileged to peruse the DB-CL Dual Band Compressor Limiter and the DE-CL Dual Engine Compressor Limiter (as well as the killer Photon Fuzz II), and today we get to investigate the Opti-FET Compressor. This effect was designed with both audiophile and studio quality features...

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We are just loving the effects pedals coming out of the FEA Labs camp right now, and we are once again fortunate enough to be able to bring another review and demo of one of them to you today. The DE-CL is a Dual Engine Compressor Limiter, with a lot of control knobs and tones abound, perfect for guitar, bass and more. Utilizing advanced, adaptive release circuitry, clean, boosted power and two sidechain control engines, this is one...

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FEA Labs Photon Fuzz II

FEA Labs Photon Fuzz II


Posted By on Wednesday, May 16, 2018 in Bass, FEA Labs, Fuzz | 0 comments

When we recently had the opportunity to review the DB-CL Dual Band Compressor Limiter from FEA Labs, we were blown away by what a compressor could truly be, and were excited to check out some more of their gear. Luckily, the Photon Fuzz II arrived and we were able to scratch that itch rather quickly. This fuzz is extremely versatile, with options and tones specifically designed for BOTH guitar and bass, and makes each of them sound...

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One of the best parts of this gig is discovering new pedal companies that are doing innovative, exciting and non-traditional building in the effects pedal world, and today’s pedal and company both have captivated us in the best of ways. The DB-CL Dual Band Compressor Limiter takes all you thought you knew about compressors and turns your brain upside down, spins it around and sends it into a musical abyss from which you’ll...

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After being pretty blown away by the Orbital Pitch Shifter and NovaDrift Modulation pedals from ALABS Audio, we were excited to check out the next pedal in their Adam Adventure Series, which happens to come from our favorite effect genre. The TimeSlip Stereo Delay features loads of echo modes, options and exploration into all things delay, with a wide stereo field to engulf your audience. Lots of knobs and switches here, let’s...

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We’re taking a glance at our second effects unit from ALABS Audio today, and are really excited about all that this brand is capable of. The Orbital Pitch Shifter is a stereo digital pedal, offering 9 high-quality modulation effects. These include vibe, chorus, multi-chorus, phaser, filter, rotary, flanger, tremolo, and ring. Lots to get into here, let’s jump right in and see what this green gem is all about… Powered...

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Multi-effects units are always a blast to explore, and when they’re in Stereo, it’s even more fun. The ALABS Audio Orbital Pitch Shifter is a stereo digital pedal, offering a wide range of pitch-shifting effects, including Pitch Shifter, Octave, Micropitch, Harmonizer, Whammy Sound and more. Other features include Differential True Stereo mode, analog dry-through and two selectable Bypass modes, plus momentary operation...

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Where do we even start with a rare, out-of-production and highly sought-after pedal like this? The Goatkeeper 3 GK3 Tap Tremolo Sequencer has become a pedal of mystery and intrigue, not to mention hard to find and pretty expensive, too. Described as an analog tremolo sequencer, this big white whale is so much more, a giant tone machine just itching to be experimented with, and thanks to the genius minds at Lightfoot Labs, one that we...

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After checking out the incredible 432k Rev2 Distortion a couple months ago, we couldn’t wait to jump back into some more gear from Retro Mechanical Labs. Today’s powerful piece is the Mig Fuzz Special Edition, another big box effects with a ton of options, great dirt tones and, of course, a vintage VU meter on board. Providing a modern sound using vintage parts, this unique creation really gets the musical creativity...

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The first couple of pedals we had the chance to review from Haunted Labs (the Dark Aura Reverb and the Paranormal Fuzz) really knocked us out, combining stunning visuals with even better tones, both all-intriguing packages of sound and optical glory, in pedalboard-friendly sizes. This time around, they’ve teamed up with the spooky crew over at Coffin to bring us all the Frost Bite Fuzz, Coffin’s first new pedal in over 10...

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Haunted Labs Paranormal Fuzz V2

Haunted Labs Paranormal Fuzz V2


Posted By on Tuesday, January 29, 2019 in Fuzz, Haunted Labs | 0 comments

Chris and the crew at Haunted Labs are making some crazy pedals these days, if you haven’t had the chance to check them out. We were fortunate enough to get blistered with ambience by their Dark Aura Reverb a little while back, and thus were stoked for today’s featured gem. The Paranormal Fuzz V2 builds on the original version of this monster, with a cleaner, quieter circuit design, more gain and improved construction....

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Tremolo pedals are always welcome here in the Pedal of the Day office, as each one seems to have its own personality, features and tones, regardless of how many knobs, bells and whistles it may have. Today’s featured pedal leans towards the high end of that spectrum, with a ton of tonal options and sonic parameters waiting to be explored, and unleash all of their glory onto any recording or unsuspecting crowd. The Quaverato from...

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A lot of times, you can tell if you and a pedal are going to gel from the first minute or so of playing it. Today’s featured pedal took us about 8 seconds before we knew it was a keeper. The White Widow Silicon Fuzz comes to us all the way from Brazil, and it was well worth the wait. Based on a special version of the Big Muff Pi from the late ’70s, this one has a couple more options and tones than its classic predecessor....

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Last fall, we reviewed an incredible fuzz pedal from Retro Mechanical Labs, the Electron Fuzz Custom, and it really rocked our faces. Recently, Johnathan at RML made a special, potentially one-off version of this pedal called the Mini, featuring a gorgeous wooden enclosure and a rare, vintage voltage meter. We knew we had to have it, and the result is one of the most beautiful pedals we’ve had the pleasure to lay our eyes on....

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Retro Mechanical Labs in Portland, OR, are making some really cool pedals these days, and have been for a while, now. The Clean Overdrivr (that’s NOT a typo, by the way) is a smaller size pedal than they usually build, but it packs a punch and delivers the goods just the same. For those of you who don’t like too much fuss and muss with your effects, the Clean Overdrivr is right up your alley. Two settings: Clean and Drive....

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Donators

Donators


Posted By on Thursday, March 20, 2014 in | 2 comments

If you’d like to gain more exposure for your company, and help expand our site throughout the global music community, please contact us HERE. If you like the site and what we’re doing, and would also like to contribute, you can send a donation HERE. These companies and distributors have selflessly contributed gear for review to Pedal of the Day, making this adventure a reality. We can’t thank them enough for their...

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With each new release, Chase Bliss defies our expectations and manages to one-up itself as one of the top effects pedal companies in the world. Their latest effort, Habit, is a delay and looper, but it’s also much, much more than that. Combining elements of sonic manipulation, tape delays, free-form composition and shrinking subdivisions, to name a few, this is the next step in the evolution of what a pedal is truly capable...

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We’ve always been intrigued and interested in pedals that have lots of knobs, dipswitches and In/Out jacks, so when today’s pedal came along, we were super stoked to test it out. The Spectravibe from Endangered Audio Research (makers of the now-famous AD4096 Analog Delay) is a tremolo and vibrato pedal, but it’s also much, much more than just that. With elements of compression, overdrive, distortion, auto wah and...

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Michael Weavers Christchurch, New Zealand Flux Effects www.fluxeffects.com How long have you been a musician? How did you get into it in the first place? I started playing guitar and drums when I was 15. We had a crappy nylon-string acoustic guitar with a cracked neck lying around which I began playing around with. I’d try to play U2 songs off the Joshua Tree album with the 3 chords I had learned. In my late teens I bought a...

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Our Current Gear

Our Current Gear


Posted By on Sunday, February 23, 2014 in | 0 comments

(8/8/14) Guitars: PRS Custom 24 SE w/ Seymour Duncan TB-4 JB Trembucker (bridge) & SH-2N Jazz Humbucker (neck) “The Trooper” Fender Standard Telecaster w/ Seymour Duncan STL-1b Broadcaster Lead (bridge) & STR-1 Broadcaster Rhythm (neck) Alvarez AD60SC Dreadnought Acoustic-Electric   Amps: Ampeg GVT 15-H All-Tube Amp Head > Dr. Z 1×12 Cabinet (loaded with a Celestion Vintage 30) Orange Micro Terror 20W...

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