Tim Bluhm San Anselmo, CA The Mother Hips www.motherhips.com/ How long have you been a musician? How did you get into it in the first place? I’ve been singing since I was a kid, in church choirs and in school choruses. I started playing guitar right after high school. In my second year of college I started the Mother Hips with Greg Loiacono and we started getting gigs really quickly. Who have been some of your major musical...
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Today’s guest review comes to us from Scott W. – find him on Instagram (@honey.power) and Facebook (Scott Willems). There are copious amounts of pedals based on the revered Big Muff Pi, but the Swollen Pickle Jumbo Fuzz by Way Huge Electronics proves itself as a very versatile fuzz. Packed in the typical Way Huge anodized aluminum housing, it features three knobs for loudness, filter and sustain, and two external trim pots...
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Jason Boland Oklahoma Jason Boland and the Stragglers http://www.thestragglers.com/ How long have you been a musician? How did you get into it in the first place? I’m 41 now. I started banging around on a guitar around 7th grade, writing songs senior year, and playing out at 21. The band and I started in September of 1998 and released our first album in January of 2000. I figured if Ralph Macchio could cut heads with...
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Neal Casal nealcasal.com Chris Robinson Brotherhood www.chrisrobinsonbrotherhood.com Hard Working Americans www.thehardworkingamericans.com Circles Around The Sun Skiffle Players (with Cass McCombs) Phil Lesh And Friends Gospelbeach How long have you been a musician? How did you get into it in the first place? I started playing guitar in 1981. I was obsessed with the Rolling Stones and the bands I saw in the Gimme Shelter film....
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Chuck Garvey Cincinnati, OH moe. www.moe.org Ha Ha The Moose @chukg on Twitter moechukg on Instagram How long have you been a musician? How did you get into it in the first place? I started playing instruments when I was young, just hammering stuff out by ear on acoustic guitar and piano, but started lessons for Tenor saxophone when i was in 5th grade. Played sax for 8-9 years and also started to play more acoustic and electric guitar...
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Sean Williamson Milwaukee, WI, USA seanwilliamson.net twitter.com/thesituation Sam Llanas – samllanas.com Velocihamster – velocihamster.net Shonn Hinton & Shotgun – shonnsshotgun.com Who have been some of your major musical influences, past or present? David Gilmour has been a hero of mine since as long as I can remember, and was my inspiration to begin playing lap steel guitar, but like so many others my age, my playing was...
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Today, we’ve got yet another powerhouse pedal from our friend Jorge Tripps and Way Huge Electronics to throw at you. The Saucy Box Overdrive is a downright simple pedal, but with a wide range of sounds available and an excellent clean boost, this Klon-esque gem will make you rethink your whole gain section. Three controls for an overdrive pedal: nothing new or ground-breaking here, featuring Volume, Tone and Drive knobs. The...
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Personally, we love compressors on all our pedalboards, but not everyone feels the same way. Some players absolutely swear by them, other think they’re useless and won’t come within 5 miles of one. Today’s pedal happens to be a compressor, the Saffron Squeeze from the newly-revived Way Huge Electronics, and while it appears to be a simple stompbox at first glance, a closer look reveals more controls, more options and...
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Dave Schools Widespread Panic (Modulus Q-6 basses, D’Addario strings) widespreadpanic.com facebook.com/widespreadpanic reddit.com/r/widespreadpanic IG: @widespreadpanichq IG: @dashole Hard Working Americans (Modulus Jazz, G&L L-2000, Epiphone Jack Casady basses, D’Addario, LaBella tape wound strings) thehardworkingamericans.com facebook.com/hardworkingamericans IG: @hwamericans How long have you been a musician? How did you get...
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We can get behind any good fuzz pedal around here, so we were pretty stoked when the cats over at Way Huge Electronics sent over their Havalina™ Germanium Fuzz for us to check out. Featuring a basic three-knob control configuration, this fuzz does what a good fuzz pedal should do: produce copious amounts of fuzz. With a hint of old-school Tone Bender fuzz sound found within it, this is a fun fuzz that will get you groovin’ with...
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Analog Delay. You love it, we love, almost anyone who listens to any music made in the last 3+ decades loves it (or they damn well should). Today’s featured pedal is one of the most recognizable and oft-used of these warm and modulated gems, due in part to its pronounced bright green solid enclosure. The M-118 Analog Delay from MXR is steeped in delay history, and with all the sounds you could want oozing out of every crack and...
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The resurgence of Way Huge Electronics via Jim Dunlop over the last few years has been a treat for the effects-using world, and we’ve had the pleasure of checking out a bunch of these rad pedals (with more reviews to come!). Today’s reddish-pink enclosure brings us the Red Llama™, the first of the original Way Huge pedals, and one that is highly coveted for it’s great tone and response. Two knobs, one goal: to rock...
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If you haven’t heard him yet, Joe Bonamassa is a pretty damn good guitar player. Whether you enjoy blues mixed with rock and roll or not, you can’t deny the man’s talents on the old gitbox, or his ridiculously impressive collection of vintage guitars and amplifiers. As far as effects go, Joe knows what he wants, and so he got together with Way Huge Electronics and Dunlop to come up with a special overdrive pedal,...
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Sometimes, your guitar tone just needs a bit of….something. Most times, it’s hard to figure out what that special addition to your rig might be, but sometimes it just reveals itself with the push of a bypass switch. The Blue Hippo MkII Analog Chorus from Way Huge Electronics is exactly one of these additions, a pedal that gives your tone a sparkle and gives you playing a much-appreciated kick in the pants. Not much to the...
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Continuing this week’s unscheduled jump into the pool filled with the freakiest pedals we could find, we came across an effect that can strike fear into the hearts of many players just by its very mention: the Ring Modulator. While each ring mod is definitely it’s own beast, there’s something special about today’s featured pedal from Way Huge Electronics that really takes your breath away. Let’s take a...
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Continuing our look at analog delay pedals this week, today we take a look at another incredible pedal, one that features the analog warmth and dirtiness we all love, plus controls for modulation, making it even more fun to use. The Supa-Puss™ Analog Delay from Way Huge Electronics not only sounds like a classic analog delay, but has some excellent modern features to make it a great delay hybrid. Plus, you can get up to 900ms of...
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I knew not what I was getting myself into. I think, at some point, most of us buy some piece of gear because someone we admire uses it. For me, that was the MXR Blue Box. True Page uses it on “Fool In The Rain” but I became interested because Jesse Lacey of Brand New uses it. And on top of that, new it’s fairly cheap, as far as pedals go. The Blue Box also introduced me to some terrific noises. A fuzzy, synthy, sub-octavey box is how...
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Our featured pedal today possesses two qualities we love in a good piece of musical gear: small size and simple controls. Measuring 2″ x 2″, it would be pretty hard to find a pedal smaller, anywhere really, much less one that holds so much life inside. With the size and only one lone stomp switch, the Purple Octave Octopus Octave Up from Henretta Engineering might just be the perfect compliment to your pedalboard, and one...
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Delay, delay, delay! We love it here at Pedal of the Day, and you probably do, too (and if you don’t, you should). With so many delay pedal options flooding the pedal marketplace these days, it’s fun discover a simple, low-time delay that does only a couple of things, but does them extremely well. In steps the Aqua-Puss™ MkII Analog Delay from Dunlop / Way Huge Electronics, and puts a big, fat, delay-induced smile right...
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Chorus pedals are a touchy subject for me. I find most of them to be disappointing. Usually, either they are too subtle (EHX Small Clone) or when you try to make their effect more pronounced the depth is too extreme and makes the guitar sound out of tune. I was pleasantly surprised to find that the new Blue Hippo MK II from Way Huge/Dunlop, is an exception. With the depth close to max and the rate around 9 o’clock some great...
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For many bassists, an essential pedal in their arsenal is going to be a compressor. It keeps your output consistent, helps cut through a mix, and can eliminate any dead spots to allow for a smooth, even attack. There are a wide variety of options to choose from, and Pigtronix offers a compressor specifically tuned to the lower frequencies of a bass that is quiet, easy to use, and affordable. The Philosopher Bass, based on...
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I’ve seen the Swollen Pickle Fuzz pop up around different guitar forums and stuff, and it always seemed to have a pretty good reputation, so I was eager to see what all the hype was about. This big, fat, green beast is one of those pedals that you plug into and turn on, and are instantly blown away. I immediately loved the fuzz sounds coming through my amp, and I hadn’t even adjusted any of the knobs yet, which is always...
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Based on the 1960’s classic Dan Armstrong Orange Squeeze Compressor, the Analogman Juicer has built a reputation as one of the best compressors on the market today. This little orange box features one knob for overall volume and a bias trim pot inside to adjust the compression. About 8db of gain is available with the factory bias setting. This pedal comes with NOS N25457 transistors, germanium diodes, and JRC45582 On-Amp Chip....
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The MC404 Custom Audio Electronics Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Cry Baby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a built-in MXR MC401 Boost/LineDriver adds even more flexibility. Choose between inductors and turn the boost on or off with...
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As far as modern (affordable) analog delays are concerned, you’re be hard pressed to find a better pedal than the Carbon Copy Analog Delay from MXR. The 600ms of delay time is ample for most applications, almost twice what a lot of older delays offer, and you can dial in that classic slap back sound with ease. Plus, the optional Modulation button adds more tones and possibilities to your arsenal, and you can even trim the...
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(8/8/14) Guitars: PRS Custom 24 SE w/ Seymour Duncan TB-4 JB Trembucker (bridge) & SH-2N Jazz Humbucker (neck) “The Trooper” Fender Standard Telecaster w/ Seymour Duncan STL-1b Broadcaster Lead (bridge) & STR-1 Broadcaster Rhythm (neck) Alvarez AD60SC Dreadnought Acoustic-Electric Amps: Ampeg GVT 15-H All-Tube Amp Head > Dr. Z 1×12 Cabinet (loaded with a Celestion Vintage 30) Orange Micro Terror 20W...
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