Jason Boland Oklahoma Jason Boland and the Stragglers http://www.thestragglers.com/ How long have you been a musician? How did you get into it in the first place? I’m 41 now. I started banging around on a guitar around 7th grade, writing songs senior year, and playing out at 21. The band and I started in September of 1998 and released our first album in January of 2000. I figured if Ralph Macchio could cut heads with...
Read MoreToday’s guest review comes to us from Max F. – find him on SoundCloud (@MaxFaith)! While octave pedals are available in a variety of configurations it’s hard to find units that operate in the desired octave range and track well enough to be useful and musical. Enter the Walrus Audio Luminary Quad Octave Generator. The fine people at Walrus have designed this pedal to work in the lower and higher octave ranges with some of the finest...
Read MoreRight off the bat with today’s featured pedal, there’s something very unique. While most pedal enclosures feature some kind of graphics or etching or something along those lines, the Scenic Drive from Square Amps is completely see-through, letting us all see the insides for all their glory (well, at least to those who can understand what’s going on in there, which definitely leaves us out of the loop). Not to mention...
Read MoreChuck Garvey Cincinnati, OH moe. www.moe.org Ha Ha The Moose @chukg on Twitter moechukg on Instagram How long have you been a musician? How did you get into it in the first place? I started playing instruments when I was young, just hammering stuff out by ear on acoustic guitar and piano, but started lessons for Tenor saxophone when i was in 5th grade. Played sax for 8-9 years and also started to play more acoustic and electric guitar...
Read MoreOne of the most anticipated effects of 2016 has got to be today’s featured piece of gear, and rightly so on all accounts. The Nemesis Delay from Source Audio combines vintage analog and tape sounds with pitch-shifting abilities, modulation, MIDI, tap tempo and more. All crammed into a super pedalboard-friendly enclosure, this delay was three years in the making, and the final results are nothing short of astounding. Let’s...
Read MoreSean Williamson Milwaukee, WI, USA seanwilliamson.net twitter.com/thesituation Sam Llanas – samllanas.com Velocihamster – velocihamster.net Shonn Hinton & Shotgun – shonnsshotgun.com Who have been some of your major musical influences, past or present? David Gilmour has been a hero of mine since as long as I can remember, and was my inspiration to begin playing lap steel guitar, but like so many others my age, my playing was...
Read MoreSometimes, a pedal comes through the office here that is hard to describe, or put into one specific category, as it makes so many different sounds that it almost seems an injustice to limit its description to one lone genre of effects. Such is the case with the Liquid Ambience from Flux Effects. Labeled as an “Atmospheric Reverb”, this blue beauty is capable of a wide array of sonic textures and gorgeous soundscapes, thus...
Read MoreHaving recently reviewed the POG2 and Micro POG Polyphonic Octave Generator pedals from Electro-Harmonix, I was eager to test out their newest octave offering, and see how it stood up to the aforementioned pedals. These little Nano POGs have been all the rage around the guitar world recently, I think mainly due to their smaller, more pedalboard-friendly size, which I was also quite pleased with. Let’s take a look and see how she...
Read MoreDiamond Pedals have been a big supporter of Pedal of the Day since we first started, and it’s always a treat getting a package from them in the mail, ’cause you never know what to expect. This time around, the delivered box was loaded with dirt pedals, the first of which we’ll be checking out today. Both a drive and a warm boost, the J-Drive Mk3 Overdrive puts out plenty of power and adds great depth to your tone,...
Read MoreRarely am I at an immediate loss for words when plugging in a new pedal for a review, but that was absolutely the case with the Grizzly Fuzz from Stonefly Effects. This is one of the fuzziest, quirkiest, glitchiest fuzz pedals I have ever come across, and getting it to play nice was an awesome challenge. First off, there’s no power input: battery only. That should give you a hint as to how this pedal was conceived, and what it...
Read MoreThe folks over at Red Panda make some wacky pedals, plain and simple (check out the Particle, for example). One pedal that doesn’t fly off the radar into crazytown is the Context Reverb, which is just a hands-down great and versatile reverb pedal. So many settings to chooses from, and controls on top of controls to dial it all in, the Context may appear complex, but once you sit down with it for a little while, it’ll...
Read MoreI have played a tremolo pedal or two in my days as a guitarist, and the optical Tremolo from Diamond Pedals is right up there at the top of the list. With so many variables, the sonic possibilities are vast, but getting to them is the real fun part with this pedal. The Speed knob controls the rate of the modulation, moving from a slow, pulsing wave to a extreme, almost whirly sound close to a ring modulator. There’s also a Tap...
Read MoreARPANOID. Even the name sounds like something from outer space, and this pedal will create those types of sounds and more. Coming to us from the great folks at EarthQuaker Devices, the Arpanoid is “the first dedicated compact polyphonic pitch arpeggiator effect pedal for electric guitar.” Basically, it takes the signal from your guitar, tweaks it and spits it out in the form of ascending or descending notes, which you can...
Read More(8/8/14) Guitars: PRS Custom 24 SE w/ Seymour Duncan TB-4 JB Trembucker (bridge) & SH-2N Jazz Humbucker (neck) “The Trooper” Fender Standard Telecaster w/ Seymour Duncan STL-1b Broadcaster Lead (bridge) & STR-1 Broadcaster Rhythm (neck) Alvarez AD60SC Dreadnought Acoustic-Electric Amps: Ampeg GVT 15-H All-Tube Amp Head > Dr. Z 1×12 Cabinet (loaded with a Celestion Vintage 30) Orange Micro Terror 20W...
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