Polyend PRESS Analog Stereo Compressor - Pedal of the Day

Polyend PRESS Analog Stereo Compressor

Posted By Pedal of the Day on Wednesday, August 5, 2026 in Analog, Compression / Sustain, Polyend | 0 comments



Polyend PRESS Analog Stereo Compressor 1

After the mammoth sequencing whirlwind that is the MESS Multi-Effects Step Sequencer, which I had the pleasure of reviewing last month, I was wondering what else the folks at Polyend were capable of creating. The answer comes to us all in the form of the PRESS Analog Stereo Compressor, a stereo-laden, sidechain-inducing, end-all be-all of compressors, and one that I found to be particularly intriguing. Grab those headphones and put your dancing shoes on – we’re diving deep into the world of compression, starting NOW…

Polyend PRESS Analog Stereo Compressor 2

PRESS is a fully analog stereo compressor with features typically found only in professional studio gear but with additional controls used in modern VSTs blending the tight, natural response of classic analog rack units with additional controls and features that cannot be found in other pedals. Required to be first in your signal chain no longer, use PRESS as a finalizing compressor and free yourself from the limits of mono compression. Analog circuitry provides transparent compression with a pristine response and high headroom. You can control the compressor’s ratio, from subtle 2:1 compression up to limiting levels, or dial back the mix for parallel compression without worrying about the phase issues of digital devices.

A single Tilt knob to boost highs and cut lows or boost lows and cut highs, active on the wet signal only for added versatility. PRESS features unique stereo Sidechain control that cannot be found in any other analog compressor pedal – use the HPF/LPF knobs to shape and filter the signal triggering the compressor, without altering the dry tone for unparalleled control. PRESS packs all the controls needed to get the right compressor settings in any scenario from limiting to subtle parallel compression. Separate attack and release, threshold and ratio controls and side chain highpass and lowpass filters allow for precise control. Perfect for guitars, synths or drum machines, PRESS is the ideal tool for musicians and producers who need both flexibility and power.

Polyend PRESS Analog Stereo Compressor 3

Quality was the priority when designing PRESS – it’s a transparent VCA compressor that preserves your tone without any unwanted coloration, enhancing your sound whether you are polishing a studio mix or adding some control to a live performance. PRESS is the ultimate end of chain compressor to glue your mix, pedalboard or drum buss together. With TRS stereo I/O and tight, polished compression that can be controlled with separate attack and release knobs, this unit is perfect as an end of chain mastering device. Control peaky reverb tails, noisy synths, or smooth out the volume from all your effects.

Polyend PRESS Analog Stereo Compressor 4

The stereo connectivity, the amazing sidechain functionality, the pure gorgeous analog sound – the PRESS Analog Stereo Compressor has got it all, and if you dig compression, this might be the last unit you ever buy. I had a blast utilizing guitar and a Korg Monologue Ribbon Station in the sidechain for the demo I did, and there’s some stereo delay thrown in here and there for added flavor as well. Thanks so much to Polyend for letting me check out this bonafide masterpiece – visit their website for more details and ordering, and don’t miss our demo, cheers!!

Polyend PRESS Analog Stereo Compressor 5

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