Certain pedals leave you with your jaw dropped, unable to put them into any real specific kind of category, and that’s always been fun for us here at Pedal of the Day. Today’s pedal, the Ibanez SS20 Session-Man II Delay Distortion, does just that, presenting itself with a no-holds-barred attitude, and making some of the wildest sounds we’ve heard come out of a pedal before. Not your ordinary Delay or Distortion...
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The 10 Series of effects pedal from Ibanez (also called the “Power Series”), created in the 80’s, features some of the most underrated and loved pedals of all time. We’re going to talk about one of these 10 effects that doesn’t get talked about nearly enough: the MT10 Mostortion. This mosfet drive has become pretty rare, and when you can find one, they’re fairly spendy, which is perhaps why...
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We love a clean, tasty, tone-enhancing pedal around here, and compression, while not for everyone, has come to be one of our favorite effects. Today’s pedal is a classic sound from a classic series – the Ibanez CP10 Compressor Sustainer is a high tech, studio quality effect in a compact case, with a VCA circuit and clean compression and sustain. Keeping the control panel light and easy to use, this is one little funk...
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The DE7 Delay Echo from the Ibanez Tone-Lok series has an interesting sort of lore to it. Not very expensive or super-popular when first released, it has become a true go-to delay for many players around the world, and absolutely debunks the myth that pedals have to be expensive to sound incredible. We have already taken a look at this classic echo pedal, and all it’s functionality, so today we’re focusing on another...
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For some reason, the “Power Series” of pedals made by Ibanez/Maxon in the mid-to-late 80’s don’t get the respect they truly deserve, and we’re bringing you another one of those pedals today to prove it. The DL10 Digital Delay is a simply-controlled, excellent-sounding and now extremely affordable delay effect, one that should definitely be popping up on more boards across the globe. Famed for its crystal...
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Kyle Sipress Niles, Michigan The Devil Wears Prada God Alone tdwpband.com godaloneband.com How long have you been a musician? How did you get into it in the first place? I was in choir when I was super young, then played saxophone briefly in 5th grade band. I’ve been playing guitar since I was about 12 or 13, so for about 15 years or so. My dad got me a cheap Cort acoustic for Christmas one year and i’ve been playing ever since. When...
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Pedals like the one we’ve got for you today are always a blast to review, as they seem so futuristic and uncommon, even though they were first released decades ago. With a ton of knobs, footswitches and jacks, the UE 305 is a multi effect for the ages, combining three excellent pedals from Ibanez’s golden age of effects into one HUGE enclosure (no joke, this thing is massive). Let’s just dive right in and see what...
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Jesse Miller Philadelphia, PA Lotus – www.lotusvibes.com Octave Cat – www.facebook.com/OctaveCat Beard-o-Bees – www.facebook.com/Beard.o.Bees How long have you been a musician? How did you get into it in the first place? My folks had me in piano lessons when I was young. I think I did that for 5 or 6 years. It did give me a head start on reading music, music theory and basic keyboard skills. In high school, I started...
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Today’s guest review comes to us from Christian E. – you can find him on Instagram (@chriespiritu) or on his band’s Facebook page (Story Of April). The Tube Screamer is probably the most famous pedal of all time and it has its spot on pedalboards of players from all over the world. The pedal itself is built like a tank. The all metal construction makes a very solid stompbox and you’ll feel like you could gig...
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As we’ve said before, the 10 Series of pedals from Ibanez are among our favorites from the 80’s, and today’s featured pedal is one of the best from that group. In general, chorus has been an effect that has a love/hate relationship with guitarists, and while it can be heard on amy classic recordings, there are some players who just will not touch it. That said, the DSC10 Digital Chorus pedal might just have something...
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I have yet to come across an Ibanez pedal in their 10 series from the 80’s that I haven’t found to be exciting and exceptional all at once. I mean, these things are all built like tanks, usually have a ton of options, regardless of what type of pedal it is, and sound like they were decades ahead of their time…which they were, in fact. Today’s shining example is basically a multi effect, although it’s...
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I’d always heard good things about the TS10 Tube Screamer, and if Stevie Ray Vaughn and Mike McCready used it (and even John Mayer, too!), it had to be AOK in my book. Having reviewed and played many different iterations of the infamous Tube Screamer over the years, I had never had the opportunity to play one of these bad boys, and let me tell you, I was not disappointed. TS9 and TS808 comparisons aside, the TS10 has an ongoing...
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In today’s world of awesome boutique pedals, it’s easy for a lot of us to dismiss a pedal due to its cost, which can be a shame a good part of the time. Somewhere along the way, a stigma was attached to pedals that don’t cost an arm and a leg as being inferior, poorly-built pieces of junk, that have no place on any civilized players’ pedalboard, and that needs to be rectified. There are a TON of great pedals...
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The highly-successful 9 Series of effects pedal from Ibanez demonstrated how innovative and adventurous the company was in the early 80’s, and this series produced some of the most recognizable and most used pedals in history, such as the TS9 Tube Screamer, the AF9 Auto Filter and the incredible AD9 Analog Delay. Another of my favorites from this series is the FL9 Flanger, the pedal we’ll be checking out in this review....
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The Power Series pedals that Ibanez made back in the 80’s have come to be a well sought-after group, and a good chunk of that group of pedals can be found for extremely reasonable prices as well. The pedal we’re gonna check out today is the SC10 Stereo Chorus, a great little blue box full of charm and character, kinda like me. Speed (the rate of the effect) and Width (the intensity of the chorus) are two extremely common...
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I have always liked to see an Analog Delay pedal with the ability to do Tap Tempo – don’t you? Aside from having that functionality, the ES2 Echo Shifter from Ibanez can do lots of other cool stuff, including oscillation, modulation and a slew of warm delay and echo setting that will leave you speechless. All this in a nice, small enclosure for board real estate…this is gonna be fun. The ES2 looks a bit futuristic,...
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So this is actually a great little compressor pedal that I currently have on my board and it stays on. It was made in the eighties and has the pink paint job to prove it. I paid $45 bucks for it of the Fleabay and it works like a dream. The CP10 is basically a clone of the Famous Ross Compressor and the Dan Armstrong Orange Squeezer (Ross OJ). It’s an all analog device. I’m sure if you’ve heard of this pedal and done...
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This is an Ibanez DDL Digital Delay that came out in 1985. It was in the “Master” series that came out in between the 9 and 10 series. Many aficionados think that Ibanez “got it right” with this one. It has the reputation as a very analog sounding effect for a digital pedal, much more so than those coming out before or after. It has a short mode, which has delay from 28ms to 224ms, a long mode of 224ms to...
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We’ve been reviewing and demoing effects units from NUX for over six years now, and they just keep getting better and better. After checking out the Verb Core Deluxe a couple weeks ago, we’re excited to bring you all the Time Core Deluxe MKII Stereo Delay, the latest in NUX’s Core Series of pedals. With seven delay modes and a built-in looper for mode eight, this one has a lot of options, sounds and vintage...
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THE RAT. Few distortion pedals have as much instant recognizability, despite (usually) just bearing the colors Black & White. There are many iterations of this classic effect, but how could you possibly collect them all without breaking the bank? Well, as usual, JHS Pedals comes to the rescue, in the form of the PackRat Distortion. Taking different RAT circuits from the last 4 decades, from different manufacturers, this pedal...
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The Ibanez 10 Series is a classic collection, featuring some of the most celebrated (and perhaps underrated) pedals in history. Today’s featured effect recreates on of these vintage beauties, adding in a couple extras while retaining some ket sonic elements. The Danelectro Roebuck Overdrive Distortion is a take on the MT10 Mostortion, a Japanese-made MOSFET distortion pedal originating in the 1990’s. Found, perhaps...
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Today, we’ve got an ancient piece of gear that we ran through a bunch of different effects, and it was one of the funnest experiences we’ve had here in the office. The Library of Congress started building their own cassette players for handicapped people from the 1960’s until the late 2000’s. These cassette players are known for their complete control of cassette tapes that other cassette players just...
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The Legends of Fuzz series from JHS Pedals is a tribute to the world’s most historic, rare, and sought after fuzz circuits. Since the originals are extremely hard-to-find, extremely expensive when you do and prone to the problems electronics might have after 50 years, this series brings these sounds and tones to the masses, for all to enjoy. There are four pedals in all, and we’re going to run through each one, what they...
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In The Whale Denver, CO Eric Riley – drums/vocals Nate Valdez – guitar/lead vocals inthewhale.com instagram.com/in_the_whale twitter.com/inthewhale facebook.com/inthewhale How long have you been musicians? How did you get into it in the first place? ERIC: I started playing percussion in the school band in junior high. I got a drum kit for Christmas when I was 13 and never looked back. I continued to play in school band throughout high...
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There are certain series of pedals that seem to really stand the test of time, and stand out themselves, as individuals and as a collective group. The 9 Series and Tone-Lok pedals from Ibanez. Mid-80’s Boss pedals. The late 70’s DOD bigboxes. And, the group we’re going to venture into today: the Hardwire Series from DigiTech. This 10 pedal series featured a wide range of genres to choose from, and today we want to...
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Chris Marlon Jennings Northampton, Massachusetts Sun Parade http://www.thesunparade.com/ How long have you been a musician? How did you get into it in the first place? When I was 5, I took some guitar lessons for a little, until I ran away from a lesson. So I guess I started when I was about 12, after I broke my foot during the baseball season and then asked my dad to show me bar chords. I also saw a Sum 41 music video on MTV of them...
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Peter D’Amore Waukesha, WI www.peterdamore.com www.facebook.com/peterdamoremusic www.youtube.com/peterdamoremusic How long have you been a musician? How did you get into it in the first place? I always enjoyed making skits and songs on cassette recorders since I was five. Recording and editing is still my very favorite thing to do, and it always feels like a privilege. Besides Marty McFly and Van Halen references that heavily...
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Rafferty Swink Evolfo: www.evolfo.com Low Noon: lownoon.bandcamp.com Oyinda: oyinda.com How long have you been a musician? How did you get into it in the first place? I started taking piano lessons when I was about seven years old and never stopped. In middle school, I started playing in garage bands with my friends, as well as taking jazz piano lessons with a private teacher. I think having the balance of a serious music education...
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Andy Greene Escape Plan Pedals http://www.escapeplanpedals.com How long have you been a musician? How did you get into it in the first place? I’ve played music for pretty much my entire life. I got my first guitar, a miniature steel string acoustic, when I was 5. I learned simplified versions of most of the standard position major chords and a few minor chords and would try to put on concerts for my family. I really got interested in...
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(8/8/14) Guitars: PRS Custom 24 SE w/ Seymour Duncan TB-4 JB Trembucker (bridge) & SH-2N Jazz Humbucker (neck) “The Trooper” Fender Standard Telecaster w/ Seymour Duncan STL-1b Broadcaster Lead (bridge) & STR-1 Broadcaster Rhythm (neck) Alvarez AD60SC Dreadnought Acoustic-Electric Amps: Ampeg GVT 15-H All-Tube Amp Head > Dr. Z 1×12 Cabinet (loaded with a Celestion Vintage 30) Orange Micro Terror 20W...
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