Cross-company collaborations are always a fun excursion in the effects pedal world, and today’s featured piece of gear is from two of the best. Robert Keeley and Keeley Electronics have partnered up with Dan and Mick, from the hugely popular YouTube series That Pedal Show, to create an overdrive/boost combo pedal that features a wide range of tones, spanning the full spectrum of overdriven glory throughout its many options and...
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Chris Traynor Topanga, California Bush bushofficial.com www.instagram.com/ct3guitar/ twitter.com/CT3GUITAR How long have you been a musician? How did you get into it in the first place? I feel like I’ve been a musician since birth. My parents took me to Suzuki method when I was a toddler, and although I don’t remember much from those days I feel like it really gave me an interest in communicating through music from a very young age. I...
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The crew at Big Joe Stomp Box Company has been making solid, great-sounding and easy-to-use effects for a while now, and we’ve had the pleasure to be able to review and demo many of them for you. Today’s is high up on our list of their pedals, for sure, as we are suckers for anything flanger-related, and the B-306 Analog Flange doesn’t disappoint. Boasting a HUGE range of flanger tones, and all the jet engine screech...
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With a long-standing tradition of being anything but traditional, Dwarfcraft Devices have been pushing, reshaping and demolishing the sonic envelopes that we are all used to, and show no signs of stopping that in the near future. A perfect example of the inventive and creative products they’re producing is today’s pedal, the Grazer, a bright orange behemoth that acts as a granular repeater, delay, sampler, and all out wack...
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Dario Darnell/Youngr London/UK www.youngrmusic.com How long have you been a musician? How did you get into it in the first place? I started when I was around 10/11 years old. My dad is also a musician, so it’s always been in the family. Then he forced me to have piano lessons and told me I’d thank him when I’m older! Now I’m thanking him that I’m Youngr (#dadjokes). He also gave me my middle name –...
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Woodroe “Woody” Weatherman Corrosion of Conformity COC How long have you been a musician? How did you get into it in the first place? We started the band in 1982 while still kicking around in High School, we just wanted to make our own sounds. Had no intention of it lasting this long at the beginning. Who have been some of your major musical influences, past or present? I’m a huge Billy Gibbons fan, really dig the solos...
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Today’s featured pedal will not only enhance your tone and drive either a tube or solid state amp, but proceeds from its sales help to fund a family farm in Maine as well. The Casco Logger is the first pedal from our new friends at Farm Pedals that we’ve had the privilege to demo and review, and this simple orange box made quite an impression on us. A simple overdrive, it can be used as a great clean boost as well, and...
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DEVON ALLMAN The Devon Allman Band: ST.LOUIS, MISSOURI, USA, EARTH THE SLAYS: MEMPHIS, TENNESSEE, USA, EARTH devonallmanband.com theslays.com (coming soon) How long have you been a musician? How did you get into it in the first place? At 5, the vinyl bug bit me and it was love at first spin. At 9, the live music bug bit me when Rick Nielsen of Cheap Trick pulled out the 5-neck guitar at my first concert. But as for me playing…I...
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Sometimes, in our wonderful world of effects pedals, one knob is all you need to produce spectacular sounds. Such is the case with today’s featured piece of gear, the Dream Left Behind Fuzz from our new friends at Life Is Unfair. Coming to us all the way from the city of Cardiff in southern Wales, this bright orange tone machine has fuzz sounds you might not expect from such a simple pedal. Much Muff-y research was done to...
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Sef, lead guitarist in the band Your Favorite Enemies. Montreal, Quebec, Canada www.yourfavoriteenemies.com www.facebook.com/yourfavoriteenemies www.instagram.com/yourfavoriteenemies www.youtube.com/yourfavoriteenemies www.twitter.com/yfeofficial As you can see in some of the pictures, we have the crazy privilege of living in a former catholic church that we turned into our own professional studio a couple of years ago. It’s pretty...
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Jeremy DePoyster Chicago, IL The Devil Wears Prada www.tdwpband.com How long have you been a musician? How did you get into it in the first place? I got my first acoustic at 10, and have played ever since. I took a quick interest in keyboards, synths, and sequencers and have been making music with them since around the same time. I started with a KORG Polysix running a curly cable into a Fender Champ Amp. Who have been some of your...
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Where to even begin with today’s featured pedal? It’s kind of a fuzz, and a partial distortion, but it’s also a tone-shaper, ring mod, oscillator, cosmic sitar and more. A truly unique pedal in a sea of effects, the Frequency~LSD from Mountainking Electronics is guaranteed to make you laugh, cry for help, weep uncontrollably and jump for joy…all in the same half hour. Out is the overall volume control. Done....
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Neal Casal nealcasal.com Chris Robinson Brotherhood www.chrisrobinsonbrotherhood.com Hard Working Americans www.thehardworkingamericans.com Circles Around The Sun Skiffle Players (with Cass McCombs) Phil Lesh And Friends Gospelbeach How long have you been a musician? How did you get into it in the first place? I started playing guitar in 1981. I was obsessed with the Rolling Stones and the bands I saw in the Gimme Shelter film....
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Today’s guest review comes to us from Max F. – find him on SoundCloud (@MaxFaith)! The Boss DS-1 is a classic circuit that most of us are familiar with. Players have been modifying the little orange boxes for years and the amount of modifications and spinoffs are too numerous to mention. Despite the variety of DS-1 circuit configurations, most specimens seem to impart the same familiar gain-structure that originally made the pedal a...
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We’d been seeing the name Providence floating around the forums and gear pages, but until now hadn’t had the opportunity to test one out and see for ourselves what the hype was all about. Luckily, our good buddy Sean Williamson, who we interviewed a few weeks ago, is a Providence artist, and set up talks between the two of us to get some reviews rolling. Our first foray into their world is the mighty Heat Blaster HBL-4...
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After reviewing the new Mu-FX Mu-Tron 3X a little bit ago, we were blown away by what Mike Beigel and Co. have done with their new lineup, and couldn’t wait for more. One day, a magical box arrived at our doorstep, and what lay inside was an incredible 3-In-1 pedal that gives new meaning to an “always on” pedal: the Boostron 3 Boost Compressor Distortion box from Mike and Mu-FX. The Boostron 3 is based on three...
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Today’s guest review comes to us from Andrew L. – find him on Instagram (@andrew.s.lingrell) and say Hi! Pedalboards can get full quickly. And real estate on a pedal board is valuable. Sometimes however you’ll find yourself wanting many different sounds but you only have limited empty space on your board. What to do, what to do…BUY A SLATE. The Slate is a stereo ‘blank slate’ pedal by Neunaber. Stay...
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Neil Fallon Silver Spring, MD Clutch http://www.pro-rock.com/ How long have you been a musician? How did you get into it in the first place? I bought my first electric guitar around 1987. It was a shitty Cort strat. A very discouraging introduction. My “rig” was a Gorilla amp and a Boss DS-1. Strictly power chords and feedback for several years. I drove my parents nuts. Clutch formed in 1991. We knew each other in high...
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If you’ve been to a concert, read a guitar magazine or had a jam session with anyone, there’s a good chance you’ve seen today’s featured pedal in one form or another. The DS-1 Distortion from Boss is one of the pedals that really made Boss famous, and has been used on more records and tours than any of us could ever count. Today’s model is a “vintage” one from the 80’s or 90’s,...
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We have reviewed several effects from Red Witch Pedals here at Pedal of the Day, and each time, it’s an adventure for both the mind and the ears. Today’s featured pedal may top the list in regards to both those things, as the Synthotron Analog Synth is capable of producing an insane amount of noises, sounds and tones, some predictable, some outrageous and all Red Witch, for sure. Let’s dive right into this...
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Although I’m not much good with a soldering iron, I’ve always been fascinated and amazed by the intricate detail, precision and care that goes into building an effects pedal – circuit board, jacks, power supply, LED, you name it. It really boggles my mind the way these magnificent things come together to form an awesome noise machine. For those who are much more inclined electrically speaking, the folks at OLCircuits...
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Recently, we started teaming up with Celestial Effects to do some pedal reviews, the first of which was their excellent Sagittarius Overdrive Boost. After checking out that sick pedal, we were more than excited for the arrival of today’s featured pedal, the Aries Beast Distortion. Any dirt pedal with the word “beast” in it makes our ears instantly perk up, and this distortion absolutely stepped up to the plate and...
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What happens when a company runs out of an important piece of the sonic puzzle that has been used in manufacturing one of their most popular pedals? The price of the ones already in existence goes through the roof, which happens to be the case with today’s pedal, the absolutely fantastic Moogerfooger MF-104M Delay, the final pedal of our “Moog Week” run here at Pedal of the Day. This all-analog delay is no longer in...
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Let’s face it: boutique overdrive are fun to play. With higher quality parts inside, and hand-made the majority of the time, it’s pretty hard to find one in the bunch that’s a real dud. A prime example of this is the Hermosa Drive from Reiter Brothers Effects, a mid-gain overdrive that looks like a throwback version of some 1970s muscle car, with all the power and prestige that came with those vehicles as well. While...
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Delays that have some kind of modulation incorporated with them have been my favorites for a long time, and I’m always intrigued with each new one, to see what differences and similarities they might share will others I’ve played in the past. The first version of the Reptile Delay is the one we’re gonna check out today, and although there’s a newer model, the Reptile 2, the original is still highly regarded on...
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I’m always on the lookout for pedals that not only present themselves in a unique way, but offer unique sound options, too. Today’s pedal, the 1954 Transparent Fuzz from ScreaminFX, covers both of these criteria with ease, as you can see just by looking at the design of this bright orange beauty. Hand-made and built like a tank in Austin, Texas, with a clear shield that lets you peer directly into this fuzz’s soul, I...
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I want to just say right up front that this pedal from Keeley Electronics oozes quality. It just pours out of it. It’s solid, well bit and the finish is flawless. Very understated and clean looking. You can tell right away that it’s not an imported piece of tin. Built solid and to last.The simple gold stripe with the 1962 off to the side is a very classy way to say it’s what’s on the inside that counts. Now the...
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Some pedal companies (well, a lot of them, actually) are small, unique and hail from a different country. I always like to see what other countries and cultures are doing in the massive pedal world, to see what influences they are using, and how their ideas about pedal building differ from the ones here in the U.S.A. I’ve recently been in contact with Fuse Electronics, all the way from Chile in South America, and they sent a...
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Distortion pedals have always been sort of hit-or-miss for me – a lot of them are too harsh, too bold, too piercing or just not really my style. To each their own, of course, it just takes a pretty rad pedal to get me super-stoked about pumping some high gain through my amps. However, plugging in the Supernaut Distortion from Center Street Electronics turned my head around almost instantly, and the rest of the time testing out...
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One-off pedals, or pedals that were only made in a batch of 3 or 5 or 10, have always appealed to my sense of collection. These specimens, being rare and sometime highly sought-after, make my (and others’) pedal collection that much cooler. I especially like it when no one can guess what it is, or inquisitively comment about the pedal and it’s origins. That said, we’ve got one of those today: the Vulture Fuzz from...
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First off. Full disclosure. I’m a self-taught guitarist. I’m okay. But there are absolutely no chances for Grammys in my future.I play for me and me alone. Sometimes I play for Sparkey, my pup (he thinks I’m amazing on guitar). I play mostly through low wattage tube amps. I run an A/B/Y switch to a Blackstar HT-1R and an Orange Micro Terror that my board is connected to. I’ll admit, I have developed an...
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I love a good compressor, and while some I’ve tried in the past haven’t blown me away, and some didn’t really even do too much to my signal, less is more when it comes to compression, and that’s the name of the game with the Fish Press from our friends at Greer Amps. Your basic two-knob layout for the controls makes this pedal none-too-difficult to dial in. Based on the vintage Dan Armstrong Orange Squeezer,...
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Rarely am I at an immediate loss for words when plugging in a new pedal for a review, but that was absolutely the case with the Grizzly Fuzz from Stonefly Effects. This is one of the fuzziest, quirkiest, glitchiest fuzz pedals I have ever come across, and getting it to play nice was an awesome challenge. First off, there’s no power input: battery only. That should give you a hint as to how this pedal was conceived, and what it...
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Chances are, you’ve seen the classic RAT or RAT2 Distortion pedal on a board somewhere in your lifetime. Perhaps you currently see one on your own board, as many of us do, or have an old classic version you pull out once in a while to really rock. As well known as the RAT pedals are to players around the world, the small black boxes are not the only story. Today we’re going to check out the newest member of the RAT...
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Based on the 1960’s classic Dan Armstrong Orange Squeeze Compressor, the Analogman Juicer has built a reputation as one of the best compressors on the market today. This little orange box features one knob for overall volume and a bias trim pot inside to adjust the compression. About 8db of gain is available with the factory bias setting. This pedal comes with NOS N25457 transistors, germanium diodes, and JRC45582 On-Amp Chip....
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It turns out I was a lucky fella: 1 of only 20 people on the planet who secured the latest “Top Secret Mission” pedal from our friends over at Spaceman Effects. As it turns out, this mystery pedal is an unlabeled (and therefore, extremely rare) version of the Voyager 1, an optical tremolo that was just released. This one is WAY cooler, however, as it has no labels and no indication of how it works – even the...
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As far as delay pedals are concerned, I LOVE THEM. My current board boasts 6 Delays, and regardless of what you think, I use them all, and they all produce different sonic results for me, hence the exuberant number of them. The latest addition is the Memory Lane Jr. from Diamond Pedals, and what an addition it has been. A ton of options engulf this pedal, and the sonic properties that it produces are nothing short of astonishing. A...
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I have played many, many different types of overdrive pedals in my day, and I still get a little giddy and excited when I find one that really rocks my world right from the get-go. The Warmer Drive from Andy Green Pedals did exactly that as soon as I plugged it in, and after about 15 minutes of jamming, I was hooked. Onboard EQ. That’s the stuff, right there. Especially here, where the Treble, Mids and Bass controls have a HUGE...
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Selah Effects out of Australia keeps putting out really, really good pedals; I recently reviewed the Scarlett Love V2, which was just awesome, and this time around, it’s the Feather Drive, which I can’t honestly see leaving my board anytime soon after playing it. This pedal is a true design marvel, with very simplistic layout and graphics, but those orange knobs really stand out against the black background, and the...
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Look on any pro player’s pedalboard and you will find a little orange one-knob wonder. The Phase 90 is a timeless pedal. The swirly goodness has reached to every genre and to probably every electric instrument ever played (not to mention to studio use on drums and vocals!). Now, in researching this pedal you will find there are two versions: the older “script” model, which offers warmer phase shifting, and the...
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So this is actually a great little compressor pedal that I currently have on my board and it stays on. It was made in the eighties and has the pink paint job to prove it. I paid $45 bucks for it of the Fleabay and it works like a dream. The CP10 is basically a clone of the Famous Ross Compressor and the Dan Armstrong Orange Squeezer (Ross OJ). It’s an all analog device. I’m sure if you’ve heard of this pedal and done...
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I have played a tremolo pedal or two in my days as a guitarist, and the optical Tremolo from Diamond Pedals is right up there at the top of the list. With so many variables, the sonic possibilities are vast, but getting to them is the real fun part with this pedal. The Speed knob controls the rate of the modulation, moving from a slow, pulsing wave to a extreme, almost whirly sound close to a ring modulator. There’s also a Tap...
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Based on the legendary Orange Squeeze compressor from Dan Armstrong, the Hartman Compressor provides a nice, smooth squish to your tone, while also giving it just a smidgen of attitude. The Ratio knob adjusts the right amount of compression for your tone, while the Gain knob controls the level and growl of the pedal. Warm tones, pleasing to your ear, and very quiet as well, which is something a lot of compressors lack. 2 knobs, not...
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People at shows are always asking me, “Dude, how do you get that tone?!” My reply, which is pretty well-rehearsed by now, is, “I have a bass preamp pedal called a Rusty Box. It’s made by a company in New York City called Tronographic.” The Rusty Box is housed in a sturdy, attractive, white and orange enclosure with controls for Level, High, Low, Mid, and Gain; a mini-toggle switch to select between Hi and Lo gain inputs,...
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(8/8/14) Guitars: PRS Custom 24 SE w/ Seymour Duncan TB-4 JB Trembucker (bridge) & SH-2N Jazz Humbucker (neck) “The Trooper” Fender Standard Telecaster w/ Seymour Duncan STL-1b Broadcaster Lead (bridge) & STR-1 Broadcaster Rhythm (neck) Alvarez AD60SC Dreadnought Acoustic-Electric Amps: Ampeg GVT 15-H All-Tube Amp Head > Dr. Z 1×12 Cabinet (loaded with a Celestion Vintage 30) Orange Micro Terror 20W...
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